Exploring the Symbolism behind Bhawal Folk Art Forms and their Cultural Meanings

Mohammed Shafiqul Islam, Md. Mansur Hoshain, Kazi Muhibbullah & Md. Habijulla Fakir

Jan-Feb-Mar

Abstract
This qualitative study explores the signification and semiotics of Bhawal folk art, an essential aspect of the socio-cultural fabric of the Bhawal region. The research aims to investigate how these artworks reflect religion, customs, and the collective spirit of the community, emphasizing the connection between artistic production and cultural identity. The study employed a qualitative methodology, drawing on primary sources such as paintings, visual arts, recorded accounts from the geriatric community, and documented traditions. Data collection methods included field visits, observations, and archival analysis, complemented by semi-structured interviews and field notes. A semiotic discourse analysis framework was applied to interpret the symbols, recurring themes, and their evolving meanings. Key findings reveal that Bhawal folk art profoundly expresses sacred and religious themes, communal norms and beliefs, and historical narratives, serving as a living archive of the community's identity. Observations indicate that the art forms not only preserve cultural heritage but also foster a sense of collective memory and belonging. The study's implications highlight the importance of cultural conservation through education, policy development, and public engagement. Teaching and curating Bhawal folk art as part of educational initiatives can raise awareness and ensure the sustainability of this rich artistic tradition for future generations.

Keyword: Bhawal folk art, Symbolism, Cultural meanings, Heritage preservation, Bangladesh

Research Area: Arts

Country: Bangladesh

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